The Blair Witch Project raises some very interesting questions concerning how art captures reality. The two quotes from art in the age of mechanical reproduction address many of these questions. The most interesting question the quotes raised (in my opinion) concerned the camera capturing the aura of both the actor and the settings. I think it is safe to say that the blair witch project is not an attempt to recreate reality strictly based on it's subject matter. I think the film often gets mistaken as an attempt to recreate reality due to the films success in capturing the aura of both the characters and the setting of the film. When watching the blair witch project, one feels as if they are a part of the film, they put themselves in the place of the characters, and think about what they would do in the situation. The Blair Witch Project captured this aura successfully by actually putting the actors in the situation of being lost in the woods with cameras. This made for an incredibly realistic representation of both the characters and the setting. The film would surely would have been far less successful if the movie was made with a large crew in a hollywood studio.

Tokyo Story is a very interesting film that certainly fits into the genre of realism. The Film focuses on a story which is not overly dramatic or exciting, yet at the same time is somewhat captivating due to the long slow paced shots of the japanese country side. Tokyo story is at times almost a little bit to real, I often found my self waiting for something to happen which never really did. This is something that is not common in widely successful american realism.

The Blair Witch Project is a perfect example of the faster paced realism that is more common in American cinema. The Blair with project is by no means a cinematic masterpiece like Tokyo Story. This film captivates the viewer with suspense, horror, and anxiety.

Most American film viewers (including myself) aren't conditioned to watch long slow paced movies no matter how beautiful or realistic they are. In these times it seems that if a movie is longer than two hours, and not the Lord of The Rings Trilogy, audiences become bored and tired.

Assuming Tokyo Story is an accurate representation of most japanese realism, the success of the film surely makes a statement concerning the cultural differences between American and Japanese directors and audiences.